The Shape of Ljubljana – Ana Desetnica 2015, Part 3

Theatre critic navigates through his first Ana Desetnica festival 2015. Part 3.

Ana Desetnica 2015, 18th International Street Theatre Festival

1.7. – 4.7 2015, Ljubljana.
Production: Društvo Gledališče Ane Monro

Ana Desetnica 2015
Part 1 – The Art of Being Together
Part 2 – Where is the Magic? (Narrative in Street Theatre)
Part 3 – The Shape of Ljubljana  (Space in Street Theatre)
Part 4 – Dramaturgical feedback of “Alone in the Crowd” by Ana Monro (Slovenia) 
Part 5 – Review of  “Tomorrow Belongs to Me” by Bad Rabbits (Lithuania) 

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Little Café transforming from a walkabout show to a full course dinner experience. 

Continue reading “The Shape of Ljubljana – Ana Desetnica 2015, Part 3”

Where is the Magic? – Ana Desetnica 2015, Part 2

Theatre critic navigates through his first Ana Desetnica festival 2015. Part 2.

Ana Desetnica 2015, 18th International Street Theatre Festival

1.7. – 4.7 2015, Ljubljana.
Production: Društvo Gledališče Ane Monro

Ana Desetnica 2015
Part 1 – The Art of Being Together
Part 2 – Where is the Magic? (Narrative in Street Theatre)
Part 3 – The Shape of Ljubljana  (Space in Street Theatre)
Part 4 – Dramaturgical feedback of “Alone in the Crowd” by Ana Monro (Slovenia) 
Part 5 – Review of  “Tomorrow Belongs to Me” by Bad Rabbits (Lithuania) 

Ana Desetnica Kranj 2015
Audience members getting caught in the world of the Little Café

Continue reading “Where is the Magic? – Ana Desetnica 2015, Part 2”

Street theatre and the art of being together – Ana Desetnica 2015, Part 1

Theatre critic navigates through his first Ana Desetnica festival 2015. Part 1.

Ana Desetnica 2015, 18th International Street Theatre Festival

1.7. – 4.7 2015, Ljubljana.
Production: Društvo Gledališče Ane Monro

Ana Desetnica 2015
Part 1 – The Art of Being Together
Part 2 – Where is the Magic? (Narrative in Street Theatre)
Part 3 – The Shape of Ljubljana  (Space in Street Theatre)
Part 4 – Dramaturgical feedback of “Alone in the Crowd” by Ana Monro (Slovenia) 
Part 5 – Review of  “Tomorrow Belongs to Me” by Bad Rabbits (Lithuania) 

Ana Desetnica 2015
My talks with the artists on the 1st day of the festival – “Who is this guy?”

Continue reading “Street theatre and the art of being together – Ana Desetnica 2015, Part 1”

Going deeper, not farther

Review of a referential improvisational theatre performance, showcasing an alternative path for theatre improvisation.

Compagnie Combats Absurdes (Lyon): »Slow Impro«

concept and performance: Matthieu Loos, Marko Mayerl
music: Hannu Risku, lights: Borut Bučinel
november 2014, Naked Stage festival, Stara mestna elektrarna – Elektro Ljubljana.

Compagnie Combats Absurdes - Slow Impro 01 - Photo Kristjan Kolar

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Improvising FOR the audience or WITH the audience?

Thoughts on improvisational theatre that emerged at 2014 Naked Stage festival.

Naked Stage 2014, 12th international festival of improvised theatre

19 – 23. 11. 2014, Stara mestna elektrarna – Elektro Ljubljana; Prešernovo Gledališče Kranj
Production Zavod Federacija Ljubljana; Coproduction: Zavod Bunker, KUD Kiks

Naked Stage 2014 01 Hannu Risku, Matthieu Loo, Alenka Marinic - Photo Gregor Gobec
Hannu Risku, Matthieu Loo, and Alenka Marinič – “Old Friendship, New Love: Alenka Marinič and Matthieu Loos” (lights Borut Bučinel)

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Improvising at close range

Looking into the contact improvisation Dance practice of Žigan Krajnčan and Gašper Kunšek after seeing their debut, a work in progress and attending their classes.

Žigan Krajnčan, Gašper Kunšek: Unnamed | Žigan Krajnčan, Gašper Kunšek: Alien Express –  work in progress

Unnamed – production JSKD, Plesni Studio Intakt, (April 2016)
Alien Express – production Flota, Coproduction: PTL, (Work in progress August 2016, 
 premiere November 2016)
Text first presented at discussion event “Dossier On, no.1” at Gibanica festival, Ljubljana, 2017

Zigan Krajncan, Gasper Kunsek: UNNAMED, photo Borut Bucinel
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Opazovanje opazovalke

Poglabljanje v sodobno-plesno predstavo po dveh ogledih, dveh kavah in javnemu pogovoru.

Vita Osojnik: Nosila sem tuje otroke

ogled 21. okt. 2016, 10. dec. 2016, Plesni Teater Ljubljana
Produkcija Plesni Teater Ljubljana, Koprodukcija KD Qulenium, 2016
Javni pogovor – Metodologije beleženja št. 11, 22. nov. 2016, produkcija Emanat.

 

 

Vita Osojnik Nosila sem tuje otroke nada zgank 1S Continue reading “Opazovanje opazovalke”